the king of all monster

The name "Godzilla" is a rough romanization of Gojira , a combination of two Japanese words: gorira ( "gorilla") and kujira ( "whale). At one planning stage, the concept of "Gojira" was described as "a cross between a gorilla and a whale," alluding to Godzilla's size, power and aquatic origin. A popular story is that "Gojira" was actually the nickname of a hulking stagehand at Toho Studio. The story has not been verified, however, because in the more than 50 years since the film's original release, no one claiming to be the employee has ever stepped forward, and no photographs of him have ever surfaced.

Godzilla's appearance has changed over the years, but many of his characteristics have remained constant. One characteristic that has remained stable is his roar. It was first created by Japanese composer Akira Ifukube by rubbing a resin glove over the strings of a contrabass. Other characteristics that have remained constant across all the Japanese films have been: Godzilla being depicted as a gigantic dinosaur with rough, bumpy charcoal grey scales, a long powerful tail, and bone colored dorsal plates shaped like maple leaves. Although his origins vary somewhat from film to film, he is always described as a prehistoric creature, who first appeared and attacked Japan at the beginning of the Atomic Age. In particular, mutation due to atomic radiation is presented as an explanation for his great size and strange powers.

Godzilla has also been shown to possess many special abilities granted to him as a result of his irradiation and subsequent mutation. He is generally considered to be the most fearsome and powerful of kaiju, earning the character his entitlement as "The King of the Monsters". Godzilla's most iconic power is his atomic breath. When he uses it, Godzilla's dorsal fins glow ominously, and then he releases a concentrated blast of radiation from his mouth, which can vary in intensity from a superheated vapour to a beam with concussive and explosive properties. This power is commonly mistaken for breathing fire. Godzilla is also depicted as being highly resistant to damage thanks to a tough hide and an advanced healing factor. He is known to have a high degree of physical strength (sufficient to throw monsters larger than himself great distances) and dexterity, often utilizing martial arts techniques in combat. Described as a transitional form between aquatic and terrestrial vertebrates by Doctor Yamane in the original film, Godzilla is able to survive in the ocean for extended periods of time and is adept a fighter underwater as he is on land.

These particular abilities are portrayed consistently among Godzilla's many incarnations, though he also possesses a multitude of other skills, often employed as weapons of last resort that are only seen on rare occasions, such as his nuclear Pulse, magnetic powers, and even the ability to fly.

the original trailer of Godzilla and the other one was the King kong vs Godzilla

the exorcist

Based on the 1971 novel by William Peter Blatty, The Exorcist marries three different scenarios into one plot.
The movie starts with Father Lankester Merrin (Max von Sydow) on an archaeological dig near Nineveh. He is then brought to a nearby hole where a small stone head is found, resembling some sort of creature. After talking to one of his supervisors, he then travels to a spot where a strange statue stands, specifically Pazuzu, with a head similar to the one he found earlier. He sees an ominous man up a bit away, and two dogs fight loudly nearby, setting the tone for the rest of the film.
Meanwhile, Father Damian Karras, a young priest at Georgetown University, begins to doubt his faith while dealing with his mother's terminal sickness.
In the central storyline, Chris MacNeil (Ellen Burstyn), an actress filming in Georgetown, notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter Regan Theresa MacNeil (Linda Blair). Regan exhibits strange, unnatural powers, including levitation and great strength. At first, Chris believes that Regan's rapid mental and physical changes are due to trauma from Chris's recent divorce. Regan is forced to endure a series of unpleasant medical tests as doctors try to find an explanation for her bizarre changes. During this time, several supernatural occurrences plague the household of the MacNeils, including violently shaking beds, strange noises and unexplained movement. When all medical possibilities of explaining Regan's worsening condition are exhausted, a doctor recommends an exorcism, explaining that if Regan's symptoms are a psychosomatic result of a belief in demonic possession, then an exorcism would likewise have the psychosomatic effect of ending such symptoms.

Chris consults Father Karras, since he is both a priest and a psychiatrist. Despite an initial conclusion that Regan's problems are psychological, Damian is eventually convinced that Regan is possessed, after witnessing otherwise unexplainable events.

Father Merrin, who in addition to being an archeologist is also experienced in exorcism, is summoned to Washington. He and Father Karras try to drive the spirit from Regan before she dies.[2] Regan, or rather the spirit, claims she is not possessed by a simple demon, but by the Devil himself.
At the climax of the exorcism, Father Merrin dies of heart failure and Father Karras shouts at the demon to enter him. The demon does enter Damian, but the priest immediately throws himself through Regan's bedroom window in order to stop the spirit from murdering Regan, killing himself in a fall down the steps outside. Regan is restored to her normal self, and according to Chris, claims she does not remember any of the experience. The film ends as the MacNeil mother and daughter return to Los Angeles to move on from their ordeal.

"embodiment of pure evil"

A common characterization is that Michael Myers is evil. John Carpenter has described the character as "almost a supernatural force - a force of nature. An evil force that's loose," a force that is "unkillable"Professor Nicholas Rogers elaborates, "Myers is depicted as a mythic, elusive bogeyman, one of superhuman strength who cannot be killed by bullets, stab wounds, or fire." Carpenter's inspiration for the "evil" that Michael would embody came when he was in college. While on a class trip at a mental institution in Kentucky, Carpenter visited "the most serious, mentally ill patients". Among those patients was a young boy around twelve to thirteen years-old. The boy gave this "schizophrenic stare", "a real evil stare", which Carpenter found "unsettling", "creepy", and "completely insane". Carpenter's experience would inspire the characterization Loomis would give of Michael to Sheriff Brackett in the original film. Debra Hill has stated the scene where Michael kills the Wallace's German Shepherd was done to illustrate how he is "really evil and deadly".

Describing aspects of Michael Myers which he wanted to explore in the comic book Halloween: Nightdance, writer Stefan Hutchinson mentions the character's "bizarre and dark sense of humor", as seen when he wore a sheet over his head to trick a girl into thinking he was her boyfriend, and the satisfaction he gets from scaring the characters before he murders them, such as letting Laurie know he is stalking her. Hutchinson feels there is a perverse nature to Michael's actions: "see the difference between how he watches and pursues women to men". Nightdance artist Tim Seeley describes the character's original personality—his personality in John Carpenter's 1978 film—as "a void", which allows the character to be more open to interpretation than the later sequels alloted him. He surmises that Michael embodies a part of everyone; a part people are afraid will one day "snap and knife someone", which lends to the fear that Michael creates on screen.

A study was conducted by California State University's Media Psychology Lab, on the psychological appeal of movie monsters—Vampires, Freddy Krueger, Frankenstein's monster, Jason Voorhees, Godzilla, Chucky, Hannibal Lecter, King Kong, and The Alien—which surveyed 1,166 people nationwide (United States), with ages ranging from 16 to 91. It was published in the Journal of Media Psychology. In the survey, Michael was considered to be the "embodiment of pure evil"; when compared to the other characters, Michael Myers was rated the highest. Michael was characterized lending to the understanding of insanity, being ranked second to Hannibal Lecter in this category; he also placed first as the character who shows audiences the "dark side of human nature". He was rated second in the category "monster enjoys killing" by the participants, and believed to have "superhuman strength". Michael was rated highest among the characters in the "monster is an outcast" category

the original trailer from the 1978 film